Tag Archive for 'YouTube'

Beppe Grillo and YouTube

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Beppe Grillo a well known Italian satirist utilises the full functionality of a blog to create dialogue and conversation with his audience. He also uses a blog as a powerful autonomous political platform in terms of distribution and spreading his perspective.
Equally he ties in other sharing websites and social software resources. For example video is distributed via street-tv and YouTube. (Beppe’s YouTube channel) The video seem to be a mix of his own speeches and interviews, along with linking in videos made by people he invites to contact him and comment on his blog. For example there are links to a post on a disabled student’s perspective of trying to get into a lecture space, posted on his blog and viewed on YouTube.

art channel YouTube

Paulo Barros a Brazil based Digital Computer Artist uses YouTube as a place to publish his videos through a designated channel/profile.

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Brady Bunch YouTube remix

.php re-mix videowall Brady Bunch

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myspace video and notes

Notes from the article, ‘The man who put teenagers lives online’, by Owen Gibson, Technology News, Guardian Weekly.

Firstly, for my own research specifically the move to video and the number of uploads per day is phenomenal. Quote:

MySpace can have a similar democratising effect in the world of short film with amateur film-makers building up a MySpace fanbase before being snapped up by a big studio or broadcaster - 50,000 to 60,000 new videos are already being uploaded per day.

Reading through this article on MySpace, I was intrigued by the way the original creators looked around at what they describe as “the best social features” of other social networking entities. It would be interesting to define these features in terms of a research inquiry. The sites Craigslist, Evite and MP3.com where key references for the creators. The community site craiglist is intersting from a community media perspective, about:

Local community classifieds and forums - a place to find jobs, housing, goods & services, social activities, a girlfriend or boyfriend, advice, community information, and just about anything else — all for free, and in a relatively non-commercial environment.

The design of the site states Chris DeWolfe was not driven by a technical imperative i.e. lots of bells and whistles. The objective instead simplicity, with a focus on activities that young people engage in everyday, like for example locating tracks on an mp3 player.

Other associated links intermix media; friendster; geocities; tripod; Then there are copies facebook; bebo.

YouTube Jaffa Cakes

In the Guardian technology section, ‘I told America how to eat Jaffa cakes’, written by Leo Benedictus - a tongue-in-cheek look at YouTube and some of the varied approaches to using video. Jaffa Cakes - food; a wrestling group; foot fetishism; filmmaking; dancing. Selected quotes:

In essence, Youtube.com is just a great big memory bank, where you can store your own videos and watch other people’s, banding together into special interest groups if you feel like it…But whether we call it “web 2.0″, “peer production” or “me media”, the transition itself remains clear for all to see: we are moving from an era when we were all consumers of online information into one where most of us produce it too…And it is easy to see why videos are taking over: no passage of text can offer the real personal connection one feels from actually seeing and hearing someone.

cyberflaming

The article ‘Lost in cyber-flaming hell’ in the Age, holds a mixed perspective in terms of negative attitudes towards activism but does provide an insight into the gap between political campaign use of YouTube by governments in contrast with the way the site is engaged with by users. These differing worlds still seem a long way apart.

Homecasting: the end of broadcasting?

Homecasting: the end of broadcasting? by JosÉ van Dijck

Established broadcast organizations are currently renegotiating their relationship with the new kids on the block: internet giant Google recently bought up YouTube for the hefty sum of 1.6 billion dollars after Murdoch Inc acquired MySpace about a year ago. Ever since the popularization of the internet in the mid-1990s, technology gurus have prophesied the decline and eventual demise of broadcasting. The trendy expression “postbroadcasting” has come to signify the idea that television, after its convergence with the internet and other digital technologies, will gradually disappear as a distinct institutional practice. Projections of a postbroadcasting age are generally warranted by a deterministic logic: they tend to reduce broadcasting to a technological system that is bound to affect social use. However, the internet never replaced television, and the distribution of user-generated content via sites such as YouTube and GoogleVideo, in my view, will not further expedite television’s obsolescence. On the contrary, they will introduce a new cultural practice that will both expand and alter our rapport with the medium of television - a practice I refer to as “homecasting”.

Book - Mediated Memories in the Digital Age, JosÉ van Dijck
http://www.sup.org/book.cgi?book_id=5623%205624%20

9 YouTube Propositions

Henry Jenkins writes on his blog Nine Propositions Towards a Cultural Theory of YouTube

We had ten minutes to speak so I took this as a challenge and offered nine big ideas about the place of YouTube in contemporary culture.

YouTube research

I noticed awhile back that Jean Burgess was doing some research on YouTube. A description from her blog research page:

I’m currently designing a major case study of YouTube as a complex system that sits within the history of the emergence, mass popularisation and marketisation of new media technologies and literacies (from the printing press to the Kodak camera and the domestication of personal computing).

In a recent post titled YouTube Research Gazette Jean brings together a great collection of YouTube research. First up, the Infoscape Research Lab who have on their site a section with the url name ‘videopolitics’. A description on the project titled ‘Code Politics: Party Leaders and Partisans on YouTube.’

Where do issues in virtual public spheres come from during an election? This research project aims to examine the movement of issues through media over time via coding, archival and analytical research into online media processes, understood as code politics. When and how do parties set the agenda, or do they? How does the blogosphere deploy new media formats such as embedded video or RSS, and how do aggregators (such as www.YouTube.com) that provide these formats influence agendas? What is the relationship between political parties, mainstream media, bloggers and the blogosphere?

There is other things to explore here but what caught my eye in the meantime was Chuck Tyron’s writing published on Flow TV. Chuck is profiled on his Chutry blog and he has an extensive delicious tag on YouTube. He is also participating on braintrustdv. About braintrustdv:

BRAINTRUSTdv is an ongoing attempt to understand electronic cinema on its own terms as well as through the prism of the twentieth-century art form from which it derives.

BRAINTRUSTdv is more concerned with the history of video technology than with the latest development; more concerned with aesthetic debates than with technical specifications; more concerned with articulate arguments than with terse weblog exchanges.

Back to Tryon’s writing on Flow TV which covers a number of socio-political perspectives.