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View2gether

Chris Adams ran through his website ‘View2gether’ that he is supporting and promoting as CEO. View2gether is called a “social viewing platform”, which means it incorporates online video viewing with other social media tools as a complete website.

FAQ page:

What is View2gether and Social Viewing? Wouldn’t it be great if you could watch a video from YouTube, MySpaceTV, or other online videos at the same time with friends who are watching on their computers? We thought so too, and that’s how View2gether was born. View2gether lets you watch videos in synchronized viewing with your friends, participate in real-time chat and search for videos that you can add to the list that everyone in the lounge sees, plus more.

Chris showed us ‘View2gether’ working on the MTV website. The product is ‘white label’ and can be customised for each client’s needs. The interface is designed like widgets that can be moved around as modular blocks.

ABC Multiplatform

ABC Multiplatform Production is newly created division of ABC TV. The head of this division Dan Fill did the second keynote presentation. Fill manages as described in the program:

four strategic areas: Internet Broadcasting; Convergence Production; the development of ABC TV Communities, and the development of a contextual websites that support ABC TV programs on the Internet, on hand held devices and emerging platforms.

In Fills presentation he introduced of course the new recent ABC iView Player which his team had been working on 24/7 to meet the recent release date. After getting a taste of previous players presenters seemed quick to mention new and specific features. In this example not just catch-up TV but also watch on TV and digital bookmarking, along with the ability to send playlists to a friend. Fill presented 3 key “Me TV” areas:

Me TV - as content creator (mash up tools; collective contribution)
Me TV - as viewer
Me TV - as participant (multi-user creating content yourself; i.e storm hawks; ‘fanging it’)

fanging it is an example of the ABCs push to create UGC content through the creation of distinct communities.

Fanging It is an irreverent, high-energy, up-to-the-minute web/TV project celebrating all that’s unglamorous in the modern travel experience. Funded by the AFC and ABCTV, it’s a website and ABC2 series featuring real footage by real people of wild and wondrous Australian encounters. The on-air date for the series launch is early November.

XML XMedia Lab (Melbourne)

It was a busy 3 days attending the XML Media Lab in Melbourne “DIY TV”: Video, UGC, Mobile and IP TV content and services conference on the Friday and workshopping the Videodefunct (VD) project in the Lab over the weekend. I have taken a number of notes from the conference keynote speakers which I plan to blog soon. Also, there is many people and links to follow up from the LAB workshop which provided a lot of feedback and ideas towards the development of further VD research. Even though the overall focus of the event was commercial, this provided yet again another valuable perspective on VD. The commercial players and invited broadcasters are really aware of developments occurring around online video and how to articulate cleary the varying specificities of each of those areas. This pushed us to work on how we communicate what we are about and where we are heading.

Inteviews and coverage of the XMEDIA keynotes will be posted onto the Adikted ITV site managed by one of the keynote speakers Scott Bradley Pearce.

American Fim Institute (online video players)

In the XMedia lab Nick Di Martino from The American Fim Institute (AFI) was first to demonstrate his wares, which included presenting a number of projects that are about to be released. He was quick to point out that “online video is exploding”.

Research funds seemed to be directed at very elaborate complex online video players. These players are attempting to integrate as many aspects of social media as possible into the interface. Another key issues is attracting users/viewers by optimising searching. Martino like many others in the conference stated that it is not worth trying to compete with meta-platforms like YouTube. The idea they argue is to distribute your content as far and wide as possible and look for follow-up or return traffic, along with channel partnerships with bigger platforms.

Martino demonstrated beta versions of the following AFI projects:

AFI Screen nation

An issue for the AFI is working out how to integrate User Generated Content (UGC) with high-end production content and overall it is about balancing “scale, usability, uniqueness, ubiquity…” In this player UCG content is clearly delineated from professional production material. Later in the conference others spoke about creating an even approach to both forms of content where both are integrated and given the same sort of respect and hierarchy.

This player had elaborate ‘tag feed’ drop downs and a ‘tag manager’ that enabled users to add and manage their own tags. There was also a video cloud (a video egg) that used image thumbnails in a type of tag cloud structure. A ‘molecule’ feature worked like a VJ type application where molecules are connected in a hypertext type structure. These are portable like a widget and can be transferred to mobile hardware. Down the side was a community feed which acted as a forum for users.

A note worth thinking about in relation to thinking about chapters and tagging is planning linear content in advance so that it can be fragmented and classified.

AFI Digital Content Lab
Filmocracy - PBS

Nic mentioned a semantic web type approach: Freebase about:

Freebase, created by Metaweb Technologies, is an open database of the world’s information. It’s built by the community and for the community – free for anyone to query, contribute to, build applications on top of, or integrate into their websites.

Already, Freebase covers millions of topics in hundreds of categories. Drawing from large open data sets like Wikipedia, MusicBrainz, and the SEC archives, it contains structured information on many popular topics, including movies, music, people and locations – all reconciled and freely available via an open API.

Google Summer of Code

Google Summer of Code

Over the past three years, the program has brought together over 1500 students and 2000 mentors from 90 countries worldwide, all for the love of code. This year, we’re welcoming 1125 student contributors and 175 Free and Open Source projects into the program.

http://google-opensource.blogspot.com/

x-media lab

Good news! The Videodefunct research project has been accepted into the X-Media Lab (XML) being held in Melbourne soon. VD is one of 12 projects that have been chosen from around Australia within the theme of “DIY TV”: Video, UGC, Mobile and IP TV content and services. The blurb:

X|Media|Lab is the internationally acclaimed digital media event: a unique meeting place designed to help people get their own ideas to market through creative development, business matching, and access to world-class networks of digital media professionals.

Video-on-Demand is the third wave of the ascendency of internet protocol (IP) over traditional media – first there was text, then graphics, and now the moving image.

Whole new opportunities are opening up for creative ideas in the creation, production, distribution, syndication, platforms, brands, and new business models in video content and services.

XML “DIY TV” is designed to assist everyone involved in traditional TV, and those creating its mutant forms, which are now emerging across the three screens, to achieve business success.

INCITE workshop

I managed to catch at the RMIT design research hub, some of the ‘Studying the European cultural intermediaries of new technologies’, a seminar and workshop led by the INCITE research group, Goldsmiths College, University of London. Presented by Nina Wakeford (Director, INCITE) Britt Hatzius (Lead Researcher).

INCITE mission statement:

The mission of INCITE is to provide a creative interdisciplinary space for research projects which explore the socio-cultural dimensions of technology use and design.

Members of INCITE work on subjects such as the links between new media and landscape, technology as a means of sensing place and identifying community, performativity and design, gender, sexuality and mobility, cultures of access and non-access, urban knowledge-making, Internet and digital subjectivities and material culture. Researchers and students draw on a range of disciplinary traditions, not just sociology, but cultural anthropology, art history and design.

In the part of the presentation that I saw by Britt, she covered an analysis of new media artists in Finland. Locations included the medialab at the University of Art and Design Helsinki; also Pixelache. I was intrigued with the way Britt used user-generated techniques to document the artists activities, like for example providing a number of disposal cameras embedded within an installation.

The term ‘critical design’ came up in a discussion of how some new media artists see themselves more as critical designers that artists.

The final future observations for this research as follows:

newness and progress
newness and critique
newness and innovation
newness and slowness

This collection of ideas made me think of how my own research project title could be developed over time.

other references:

Ubiquitous computing
Anthony Dunne, Hertzian Tales, Electronic Products, Aesthetic Experience, and Critical Design

The concept of Relational Aesthetics was also discussed with reference to writing by Claire Bishop. Interview reference.
Participation, Edited by Claire Bishop

Wall to Wall

I went to a talk ‘Up Against the Wall: Thinking Jeff Wall’ at CCP the other night given by David Bate on the photographer Jeff Wall. I had a look through a book of collected essays on Jeff Wall which made me think about the obvious idea of a correlation between this style of writing and documenting project-based research. In the talk Bates did a incredibly close analysis on one of Wall’s photographs. It was great to see so much analysis flow out of one image. Bates experimented with the concept of bringing an iconographic and psychoanalysis analysis together. In his preamble to the talk I was reminded of Roland Barthes seminal writing on photography as one of the few types of theoretical writing that focuses in-depth on practice. In a discussion of Barthes writing on authorship Bates also mentioned Focault’s ‘What is an author?’. An online reference on these two points of view The Differences between Barthes and Foucault on Authorship, Monica Lancini. Finally, Bates also mentioned the “decisive moment” where in his example a still is taken from a cinematic (moving-image) work. I recognised a connection here with the thumbnails and posters used in Videodefunct.

PIM given fresh air

Next week we give PIM (Post-Industrial Media) an airing at the Australian Screen Production Education & Research Association (ASPERA 2008) conference being held here at RMIT.

Some notes on wiki about the presentation which is currently a work-in-progress.

The conference schedule.

flickr video example

Intergrated Media 2 students this semester are being asked to produce moving-image (time-based) content for mobile phone distribution through an engagement with second life. The mobile platform asks for differing approaches to this type of content that possibly moves away from the real-life recordings that are prolific on YouTube. Here is one response to the flickr video platform, ‘Zoom through some of my pics’ by Timo Arnall (Timo ironically is involved in mobile research), which I found through the Creativity Machine post, WHAT IS FLICKR VIDEO FOR?.