This video not only provides a critique on this social media service it also gives an insight into a style of approach towards making videos on social media experiences.
chat roulette from Casey Neistat on Vimeo.
non video new video net video
This video not only provides a critique on this social media service it also gives an insight into a style of approach towards making videos on social media experiences.
chat roulette from Casey Neistat on Vimeo.
CALL FOR CONTRIBUTIONS: Video Vortex Reader II
Following the success of the first Video Vortex reader (published late 2008, second edition, 4000 copies in total), recent Video Vortex conferences in Ankara (Oct. 2008), Split (May 2009) and Brussels (Nov. 2009) have sparked a number of new insights, debates and conversations regarding the politics, aesthetics, and artistic possibilities of online video. Since these issues develop with the rapidly changing landscape of online video and its use, we want to open up a space once again for interested people to contribute to this critical conversation in a second issue of the Video Vortex reader.
The ‘Full video report of Video Vortex V’ on the Climatics Platform/Brussels
Video Vortex V was held at the Atomium in Brussels

Video Vortex V is conference no five in this ongoing satellite series being hosted by Cimatics festival, KASK and CLEA. The event will be held in the radical 50s expo building Atomium, in Brussels. The program (download pdf) description has been revised:
The past two years, the conference series – which focuses on the status and potential of the moving image on the Internet – has visited Amsterdam, Ankara and Split, growing out into an organised network of organisations and individuals. Time for an interim report, perhaps. We asked some participants of the first Video Vortex editions and publication, as well as new ones, to reflect on recent developments in online video culture.
Over the past years the place of the moving image on the Internet has become increasingly prominent. With a wide range of technologies and web applications within anyone’s reach, the potential of video as a personal means of expression has reached a totally new dimension. How is this potential being used? How do artists and other political and social actors react to the popularity of YouTube and other ‘user-generated-content’ websites? What does YouTube tell us about the state of contemporary visual culture? And how can the participation culture of video-sharing and vlogging reach some degree of autonomy and diversity, escaping the laws of the mass media and the strong grip of media conglomerates?
Some of you heard it already in Split: the 5th edition of the Video Vortex conference series will be held in Brussels. Video Vortex V is announced for November 20-21 2009, and will be hosted by the Cimatics festival… With this second Brussels meeting the goal is also to set up Video Vortex as an organised network, making it more sustainable.
submissions – http://cimatics.com/entries/

The Video Vortex Reader: Responses to YouTube was released last week as a follow up to the Video Vortex forums, conferences and exhibitions staged from the end of 2007 into 2008.
Download the pdf
More publication information
about the book: The Video Vortex Reader is the first collection of critical texts to deal with the rapidly emerging world of online video – from its explosive rise in 2005 with YouTube, to its future as a significant form of personal media.
After years of talk about digital convergence and crossmedia platforms we now witness the merger of the Internet and television at a pace no-one predicted. These contributions from scholars, artists and curators evolved from the first two Video Vortex conferences in Brussels and Amsterdam in 2007 which focused on responses to YouTube, and address key issues around independent production and distribution of online video content. What does this new distribution platform mean for artists and activists? What are the alternatives?
Contributors: Tilman Baumgärtel, Jean Burgess, Dominick Chen, Sarah Cook, Sean Cubitt, Stefaan Decostere, Thomas Elsaesser, David Garcia, Alexandra Juhasz, Nelli Kambouri and Pavlos Hatzopoulos, Minke Kampman, Seth Keen, Sarah Késenne, Marsha Kinder, Patricia Lange, Elizabeth Losh, Geert Lovink, Andrew Lowenthal, Lev Manovich, Adrian Miles, Matthew Mitchem, Sabine Niederer, Ana Peraica, Birgit Richard, Keith Sanborn, Florian Schneider, Tom Sherman, Jan Simons, Thomas Thiel, Vera Tollmann, Andreas Treske, Peter Westenberg.
Envisioning the Future of DIY – part 1, Ulrike Reinhard, who is blog (video records of the panel)
DIY 24/7 video summit plenary panel titled ‘Envisioning the Future of DIY Video’. From the lrike Reinhard’s blog:
Then they started out by giving their best visions of what Rheingold called the activist question: what to do to influence the way the institutions of democratic governance, of cultural production, of knowledge gathering will shape the outcome of DIY media!
Dialogue from a online video recoding by the first speaker Henry Jenkins:
My vision of the future would be one where everyone had the power to participate, and where diversity was valued as central to the enterprise so it is not that we build and they will come, it is not that we construct YouTube and we are automatically at democracy, there is still a struggle to be fought around democracy, it is a struggle in terms of education in terms of teaching media literacies skills to kids, struggle in terms of law, in terms of changing the notion of fair use so we have strong protection on our ability to respond to the stories that are absolutely central to our culture, it involves changing politics, how we mobilise people who are feeling empowered by making videos and turn them loose in the streets to transform society…
From YouTube to WeTube… , Henry Jenkins blog post, February 14, 2008
One of the things that has excited me about YouTube is the ways that it represents a shared portal where all of these different groups circulate their videos, thus opening up possibilities for cross-polination. Yet, as many at the conference suggests, the mechanisms of YouTube as a platform work to discourage the real exchange of work. YouTube is a participatory channel but it lacks mechanisms which might encourage real diversity or the exchange of ideas. The Forums on YouTube are superficial at best and filled with hate speech at worst, meaning that anyone who tries to do work beyond the mainstream (however narrowly this is defined) is apt to face ridicule and harrasment. The user-moderation system on YouTube, designed to insure the best content rises to the top, follow majoritarian assumptions which can often hide minority works from view. Perhaps the biggest problem has to do with the way YouTube strips individual works from their larger contexts…
Dominick Chen‘s presentation at video vortex was impressive in terms of his projects and the connection he made with theory. There was also an informative use of terms as way to describe varying activities occurring on the Internet. (more later once I review the video record)
Other links: A slide version of his presentation on slideshare. The Masters of Media blog post, Participatory Culture on his presentation. Dominick’s bio on the video vortex website. A summary of his presentation. His blog derive.