Archive for the 'Taxonomy' Category

Towards Open and Dynamic Archives

The ‘Towards Open and Dynamic Archives‘ is project that Stoffel Debuysere.

The traditional functioning of audiovisual archives is being completely reshaped by today’s technological advancements. The expansion of fast broadband networks and the availability of software, hardware and recording equipment have broken down the barriers to the production and distribution of audiovisual content. Large quantities of multimedia materials are flowing on the Internet and into the archives every day, and all over the world ambitious projects are set up to digitalise heritage collections. Moreover, media start to look more collective and inclusive: the ubiquitous “Web 2.0″ discourse promises new levels of participatory culture in which all users are producers, sharing, appropriating and remixing content, overcoming the old regime of top-down broadcast media. Blogs, wikis, social networks and “user-generated-content” tools are presented as the new wave of voluntary alliances that users seek online. Even the traditional media are swept away into the hype: the BBC designated 2005 as the “Year of the Digital Citizen”, in 2006 Time magazine chose “You” as the as its esteemed Person of the Year.

Archive references

Today, I had a moment to read the introductory essay ‘Archive Fever: Photography Between History and the Monument’, by Okwui Enwezor in the book Okwui Enwezor, ‘Archive Fever, Uses of the Document in Contemporary Art’, International Center of Photography:New York, Steidl: Gottingen, 2008.

The aim is not to produce a theory of the archive but to show ways in which the archival documents, information gathering and data-driven analysis, the contradictions of master narratives, the inventions of counter archives and thus counter-narratives, the projection of the social imagination into sites of testimony, witnessing, and more inform the practices of contemporary art. p. 22

…as part of the a broad culture of sampling, sharing, and recombining of visual data in infinite calibrations of users and receivers. We are fundamentally concerned with the overlay of the iconographic, taxonomic, indexical, typological, and archaeological means by which artists generate new historical as well as analytical readings of the archive. p. 23

Some of the references I noted in this essay:

Books
Michel Foucault, The Archaeology of Knowledge and the Discourse of Language, New York: Pantheon Books, 1972.
W.J.T Mitchell, What do Pictures Want? The Lives and Loves of Images, Chicago: University of Chicago Press, 2005.

MIT Press Journals
Hal Foster, An Archival Impulse, October, Fall 2004, Vol. -, No. , Pages 3-22
http://www.mitpressjournals.org/doi/abs/10.1162/0162287042379847