Archive for the 'Art' Category

anti-social notworking

I got this via an article SOCIAL NETWORKING IS NOT WORKING, Txt: Clemente Pestelli / Eng: Chiara Resmini in digimag.

antisocial notworking is a repository of projects that explore the pseudo-agency of online social platforms. It takes a number of recent software projects as its inspiration to reflect upon the fashion for ‘participation’ with the arts sector and culture in general. The concern is how the Internet is increasingly charactised as a ‘platform’ (or collective machine) for ’social’ uses, but to question what is meant by the term social in such descriptions. Although social networking platforms rely on user-generated content, what is the nature of this participation? What alternatives (or antitheses) can be identified?

extended notes and essay.

theweathergroup_U

tents

I was intrigued by theweathergroup_U initiative at the Sydney Bienale. KD said to check them out for potential VD colloboration. I have had contact with David in the group previously through an experimental video screening of ‘The Hazzards’ at UNSW. Part of the summary of what they are about as a collective:

theweathergroup_U is a collective interested in pursuing experimental methods of audio-visual media production, environmental mapping and monitoring technologies, and processes of community-based interaction and knowledge exchange. As artists and media workers, they are primarily concerned with cross-cultural digital storytelling methods. Using the interlocking themes of weather, ecology, climate, geography, communications and collaboration, they seek to explore different ways of seeing, listening and documenting the interactions with natural systems that punctuate our daily existence.

hotel

hotel
hotel

Wall to Wall

I went to a talk ‘Up Against the Wall: Thinking Jeff Wall’ at CCP the other night given by David Bate on the photographer Jeff Wall. I had a look through a book of collected essays on Jeff Wall which made me think about the obvious idea of a correlation between this style of writing and documenting project-based research. In the talk Bates did a incredibly close analysis on one of Wall’s photographs. It was great to see so much analysis flow out of one image. Bates experimented with the concept of bringing an iconographic and psychoanalysis analysis together. In his preamble to the talk I was reminded of Roland Barthes seminal writing on photography as one of the few types of theoretical writing that focuses in-depth on practice. In a discussion of Barthes writing on authorship Bates also mentioned Focault’s ‘What is an author?’. An online reference on these two points of view The Differences between Barthes and Foucault on Authorship, Monica Lancini. Finally, Bates also mentioned the “decisive moment” where in his example a still is taken from a cinematic (moving-image) work. I recognised a connection here with the thumbnails and posters used in Videodefunct.

vernacular video response

Geert talking to Tom Sherman about his Video Vortex presentation including some views on his notion of vernacular video. This YouTube clip was made by the Masters of Media group.

The Whole World

Tank TV have brought together with the curator Ian White, The Whole World exhibition.

A selection of artists’ film and video that feature lists or different kinds of taxonomies - visual, audio or textual – are presented as an online exhibition of extracts. Works by Dalia Neis, Uriel Orlow, Jean-Gabirel Périot, Michael Robinson and Valerie Tevere take as their subject such wildly diverse lists as depictions of saints, everything on Ebay, magazine advertising, our mediated world, protest, violence and war, the pages of National Geographic magazine and the words spoken by people on the streets of New York. Text scrolls across the screen, images flash past, immersive landscapes ultimately disintegrate. Many things are logged and something is undone.

24/7 DIY video clip

I also had a close look at the opening 24/7 a DIY Video Summit, video clip (that ironically has no poster/thumbnail/preview image as it downloads when the web page is opened). The clip a vox-pox of grabs from speakers and artists attending the event provides an insight into what to expect. Following is links to some of the organisations and people featured in the opening clip. Interesting that remixing as an approach features in many of the videos selected. In the publicity information provided in an interview with the summit co-chair Mimo Ito there is a focus on remixing:

One of the most interesting aspects of online video sharing is the fact that videos are created in an almost conversational mode, where one video is a commentary on or a response to another video, and so on. We see this kind of video and response sequence with popular remix source footage…

As part of selecting these works, curating as a practice is a feature at the summit. Links provided in the introduction video:

Anne Bray (Executive Director) - freewaves.org an alternative exhibition platform

sacha costanza chock who is involved with http://video.indymedia.org/

The Goal and Idea of the Video Network is the distribution of High Quality Videos (vhs/dvd quality) over the Internet. It is based on the Open Publishing principle of Indymedia and will allow the Publishing of Copyright Free Videos under the Creative Commons Attribution-NonCommercial-ShareAlike License.

eric saks who runs an “alternative cinema” site called flicker He says his aim with his work is to subvert “pop culture”, mainstream approaches towards audiovisual media.

Jonathan McIntosh media artist, activist who is building a website called rebellious pixels. These could be described as activist orientated re-mixes of adverts and news.

tim park doki doki productionshttp://www.doki.ca/ Anime remixes that use text to subvert the message.

laura shapiro whose thing is vidding. From wikipedia:

Vidding is the practice of creating fan-made music videos (sometimes called songvids or fanvids) that edit clips from favorite TV shows, anime series, movies, or even official music videos, to another song. It is a cross between narrative story-telling and visual poetry and their content can range from a simple tribute to a favorite character or delve into shipping/slash.

Paul Marino Thinking Machinima blog

art channel YouTube

Paulo Barros a Brazil based Digital Computer Artist uses YouTube as a place to publish his videos through a designated channel/profile.

paul_barros.jpg

Brady Bunch YouTube remix

.php re-mix videowall Brady Bunch

brady_bunch.jpg

video vortex exhibition

Montevideo are well underway with an exhibition program for the exhibition side of video vortex.

20 October 2007 - 3 February 2008: Video Vortex Exhibition
Location: Netherlands Media Art Institute, Amsterdam http://www.montevideo.nl
Curated by: Annet Dekker
Artists: Beatrice Valentine Amrhein, Giselle Beiguelman, Susan Collins, Jonathan Harris & Sepandar Kamvar, Graham Harwood, MW2MW, Sonic()ject, and more.
Workshops by: Bricolabs, Furtherfield, Mediashed, and more.
Opening: 19 October 2007, 17:00 FLOSS Party!