Seth Keen

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non video new video net video

YouTube users

Users like you? Theorizing agency in user-generated content
Media, Culture & Society, Vol. 31, No. 1, 41-58 (2009)
DOI: 10.1177/0163443708098245
José van Dijck

from the essay:

To illustrate the complexity of user agency, the recent development of YouTube serves as a case of inquiry. Started as a video-sharing site in 2005 and run by three students from a Silicon Valley garage, the financially flailing but hugely popular site was bought up by Google in October of 2006 for the unprecedented sum of $1.6 billion. Obviously, Google’s acquisition was not about bringing innovative technology into the home, as its own GoogleVideo was already running on superior software; it was about bringing in communities of users. In less than a year,YouTube became an (independent) subsidiary of a commercial firm whose core interest is not in content per se, but in the vertical integration of search engines with content, social networking and advertising.

YouTube downloads

YouTube opens up downloads, He’s not even president yet and Obama is changing YouTube

YouTube has announced downloadable videos on their site. That means if you like a video, you can click a button and it’s yours to keep.

“La de da,” say tech enthusiasts who figured out how to rip copies of YouTube videos eons ago.

Real player one of many examples, How to Download Youtube and Other Online Videos using Real Player?

But Lessig sees it as a positive step, Really great news from YouTube

mosaic-screen

Came across this recent article The Mosaic-Screen: Exploration and Definition by Sergio Dias Branco , 27 Dec, 2008 on the refractory blog on the concept of the mosaic screen, which provides another way to define the use of spatial montage in the creation of moving-image narratives, in addition to the term split-screen. From the article:

This essay arises from these introductory ideas and aims to explore and define a new term that can be contrasted with split-screen: that is, mosaic-screen. In this stylistic device, used in regular moments of the television series 24 (Fox Network, 2001-), images that commonly vary in characteristics are arranged on screen.

This article is one of a number of artilces in the ‘Double Trouble – Special Issue on Split and Double Screens’

other links:
24 wikipedia
fox 24 website

media trends

Picked this link up off AM’s blog, 5 Trends That Will Change Media in ’09 and was particualry interested in the concept of curation economy:

1. The Growth of the Curation Economy

As the cost of the creation of content continues to come down, more content creators will come online. This will create a huge influx of unfiltered material, and create a significant demand for filters and editors who can find/sort/select and recommend contextual quality content within verticals. This “Curation” function has the potential to give media enterprises whose current business models are under tremendous pressure a new and important role in the web media world. What makes the Curation Economy so powerful, and so disruptive, is that the core resource required to building a high-quality curated experience is not capital, but knowledge. This will drive an emerging class of content entrepreneurs – people who are able to turn their trusted personal brands into high-quality filtered content destinations. As the number of publishers grows dramatically, content consumers will hunger for new trusted sources. These many creators and consumers on the move will fuel whole new businesses and categories.

Action Research and Reflection

I am in the process of drafting my exegesis at the moment (in the quiet time that is the beginning of the year) The introduction is drafted and now I am moving onto summarising the research methods, which is useful as this will set up a clearer framework for reflecting on the projects. At the moment aspects of action research seem to be where things fit into place, looking back at the process retrospectively. I started with AM‘s summary on the Labsome wiki. This led to an excellent article titled ‘Understanding Action Research’. In this article there are a number of valuable points like:

The best question is the one that will lead you to look at your practice deeply and engage in cycles of continuous learning from your everyday practice of your craft. These questions come from a desire to have practice align with values and beliefs. Exploring these questions helps the researcher to be progressively more effective in reaching their personal goals and developing professional expertise.

Also, these notes for the reader in the introduction are useful:

The reader needs to be invited to think about the problem at the widest level. This should answer the question –Why should a read this, why should I care about this study? This is not about the context but about the problem and how it is linked to your visions for a different future.

In terms of evaluation and reflection there are these pointers:

EVALUATION: How will you/did you evaluate the outcomes of your action?…..(Indicate your plans for your analysis in a paragraph or two).

REFLECTION: Looking back on my action with the benefit of data, I now think… and if I were to do this again I would have…. The thing that worked best was… What most surprised me from the data was…

With a overarching reflection as part of extended and detailed overview:

FINAL REFLECTION: This is where the action research really takes stock of what was learned. It might be helpful to think of a reflection as a set of connections between the past, present and future. If this section is only a summary of what was happened, it will fail as a reflection. A reflection provides a deep understanding of why things happened as they did and how those outcomes help you address your overarching question. At the end of writing a good reflection, you will know more than you did when you started it. If you haven’t gained some new insights about the problem and your actions to solve it, it is likely that you are only summarizing what happened. Reflection is a powerful learning experience. It is an essential part of action research.

The point about knowing more than when you started is important!

Another part of this evaluation is revisiting notes on the UTS Creativity and Cognition website and the section on Practice Based Research (PBR) which have been updated since my last visit including the PBR bibliography which has action research links.

There is also some useful notes on reflection in varying places. In the Questions and Answers section notes from Ross Gibson:

Ross Gibson’s view is ‘the text is not an explanation of the artwork; rather, the text is an explicit, word-specific representation of processes that occur during the iterative art-making routine, processes of gradual, cyclical speculation, realisation or revelation leading to momentary, contingent degrees of understanding. To this extent the text that one produces is a kind of narrative about the flux of perception-cognition-intuition. The text accounts for the iterative process that carries on until the artist decrees that the artwork is complete and available for critique, ‘appreciation’, interpretation, description, evaluation. All these particular practices can entail other particular texts.’

I like the “narrative” angle here. In this FAQ a number of question are posed as part of the reflective process:

Good questions to ask yourself are

  • what was proposed, discussed, decided and carried through,
  • what stumbling blocks arose and how they were addressed….,
  • whether the ideas were workable, interesting, challenging….
  • whether the collaboration worked well or not
  • reasons for success or otherwise,did the solutions work well, if not why not?
  • whether there were different viewpoints between you and your collaborating parties
  • whether lessons were learnt from failures.
  • I am Seth Keen, a new media lecturer and researcher at RMIT University. I use this blog to document my PhD research. I am doing practice-based research and use video to produce non-fiction media projects online.

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